NEW RELEASES
Count Moise de Camondo lived a few doors away from Edmund de Waal's forebears, the Ephrussi, first encountered in his bestselling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of anti-semitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France. The Musee Nissim de Camondo has remained unchanged since 1936. Edmund de Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a haunting series of letters addressed to the Count, he tells us what happened next. A beautifully presented illustrated hardback.
>>Visit the Musee Nissim de Camondo.
>>The Library of Exile.
>>Visit the Musee Nissim de Camondo.
>>The Library of Exile.
Three subtly connected stories converge, each burrowing into a turning point in a person's life: a young woman gives a melancholy account of her obsession with climbing Mount Everest; a Peruvian-Brazilian vanishes into the forest after staying in a musty, semi-abandoned inn in the haunted depths of the Brazilian countryside; a young playwright embarks on the production of a play about the city of Sevastopol and a Russian painter portraying Crimean War soldiers. Inspired by Tolstoy's Svastopol Sketches, Emilio Fraia weaves together stories of yearning and loss, obsession and madness, failure and the desire to persist.
“A remarkable debut: three highly atmospheric and super-saturated stories feature characters yearning, striving and coming apart at the seams. There is at once a weight and a phosphorescent brightness, too). Emilio Fraia, a master of the subjects of love and loss, has a knack for levering things into the reader sideways, and shockingly fast: it’s like getting a splinter, but much, much more enjoyable.” –Barbara Epler
>>Read an extract. 
The autobiography of the children's writer Leila Berg (1917–2012), who fought all her life "fiercely and often provocatively for the right of children to be listened to, understood and accepted" (TES). It recreates childhood pleasures and fears, relationships with family and lovers, and growing political engagement. It ends with an air-raid siren in September 1939: "Something new is beginning, and we fumble because we don’t know what it is."
"This extraordinary memoir is a series of evocative images which tentatively recreate the emotions of a young girl. It works magnificently well." –Times Literary Supplement
"This may be the autobiography of one little girl, from baby bridesmaid to Young Communist rebel losing two lovers to the Spanish Civil War, but it has a universal quality – you’ll be catapulted straight back to your own childhood. —She
"A wonderfully vivid depiction of the radicalism of the 1930s and, beyond that, an exceptionally artful and honest portrait of adolescent rites of passage." —Independent
In November 2019, Paul Preciado was invited to speak in front of 3,500 psychoanalysts at the École de la Cause Freudienne's annual conference in Paris. Standing in front of the profession for many of whom he is a 'mentally ill person' suffering from 'gender dysphoria', Preciado draws inspiration in his lecture from Kafka's 'A Report to an Academy', in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars. Speaking from his own mutant cage, Preciado does not so much criticize the homophobia and transphobia of the founders of psychoanalysis as demonstrate the discipline's complicity with the ideology of sexual difference dating back to the colonial era—an ideology which is today rendered obsolete by technological advances allowing us to alter our bodies and procreate differently. Preciado calls for a radical transformation of psychological and psychoanalytic discourse and practices, arguing for a new epistemology capable of allowing for a multiplicity of living bodies without reducing the body to its sole heterosexual reproductive capability, and without legitimising hetero-patriarchal and colonial violence. Preciado was heckled and booed and unable to finish his presentation. The lecture, filmed on smartphones, was published online, where fragments were transcribed, translated, and published with no regard for exactitude. With this volume, Can the Monster Speak? is published in a definitive translation for the first time.
A fascinating exploration of the intersection between life, art and the sea. Albrecht Dürer changed the way we saw nature through art. From his prints in 1498 of the plague-ridden Apocalypse—the first works mass produced by any artist—to his hyper-real images of animals and plants, his art was a revelation: it showed us who we are but it also foresaw our future. Hoare sets out to discover why Dürer's art endures. He encounters medieval alchemists and modernist poets, eccentric emperors and queer soul rebels, ambassadorial whales and enigmatic pop artists. He witnesses the miraculous birth of Dürer's fantastical rhinoceros and his hermaphroditic hare, and he traces the fate of the star-crossed leviathan that the artist pursued. And as the author swims from Europe to America and beyond, these prophetic artists and downed angels provoke awkward questions. What is natural or unnatural? Is art a fatal contract? Or does it in fact have the power to save us? 
The Earth, Thy Great Exchequer, Ready Lies by Jo Lloyd $37
"Jo Lloyd writes stories that have the epic sweep, sly humor, and cold, thrilling depths of Mavis Gallant and Jim Shepard, as well as an idiosyncratic brilliance that is hers alone. Her sentences could rouse the dead (and do, in this excellent book)." —Karen Russell
"Jo Lloyd's voice is clear-sighted and timeless, and the stories in her debut collection are magnetic and prescient." —Sara Baume
"Beautifully balanced and well-proportioned, the stories in The Earth, Thy Great Exchequer, Ready Lies add up to a compassionate portrait of the ways that people are frail and all the different ways that they can fail." —Jessie Greengrass
Meeting basic needs is a feminist issue. Food insecurity, the living wage and access to education are feminist issues. The fight against racism, ableism and transmisogyny are all feminist issues. White feminists often fail to see how race, class, sexual orientation and disability intersect with gender. How can feminists stand in solidarity as a movement when there is a distinct likelihood that some women are oppressing others?
From the secret fossils of London to the 3-billion-year-old rocks of the Scottish Highlands, and from state-of-the-art Californian laboratories to one of the world's most dangerous volcanic complexes hidden beneath the green hills of western Naples, set out on an adventure to those parts of the world where the Earth's life-story is written into the landscape.
Marie owes Michka more than she can say—but Michka is getting older, and can't look after herself any more. So Marie has moved her to a home where she'll be safe. But Michka doesn't feel any safer; she is haunted by strange figures who threaten to unearth her most secret, buried guilt, guilt that she's carried since she was a little girl. And she is losing her words grasping more desperately day by day for what once came easily to her. Jérôme is a speech therapist, dispatched to help the home's ageing population snatch and hold tight onto the speech still afforded to them. But Michka is no ordinary client. Michka has been carrying an old debt she does not know how to repay and as her words slide out of her grasp, time is running out.
Weaving together personal memoir, social and political history, and reflecting on key moments in the history of news broadcasting and prime time entertainment, Susan Bordo opens up the 75-year-old time-capsule that is TV and illustrates what a constant companion and dominant cultural force television has been, for good and for bad, in carrying us from the McCarthy hearings and The Adventures of Ozzie and Harriet to Mad Men, Killing Eve, and other challenges to the mythology of post-war suburbia—and the emergence of the first 'reality TV president'.
Set on the eve of the financial crash of 2008, Barcelona Dreaming is made up of three stories that are linked by time and place, and also by the, unexpected interactions of the characters. The stories are narrated, in turn, by an English woman who runs a gift shop, an alcoholic jazz pianist, and a translator tormented by unrequited love, all of whose lives will be changed forever. Underpinning the novel, and casting a long shadow, is a crime committed against a young Moroccan immigrant. Exploring themes of addiction, racism, celebrity, immigration, and self-delusion, and fuelled by a longing for the unattainable and a nostalgia for what is about to be lost, Barcelona Dreaming is a poignant fable for our uncertain times.
50,000 years ago, we were not the only species of human in the world. There were at least four others, including the Neanderthals, Homo floresiensis, Homo luzonesis and the Denisovans. At the forefront of the latter's discovery was Oxford Professor Tom Higham. In this book he explains the scientific and technological advancements—in radiocarbon dating and ancient DNA, for example—that allowed each of these discoveries to be made, enabling us to be more accurate in our predictions about not just how long ago these other humans lived, but how they lived, interacted and live on in our genes today.
>>Breaking news.
>>Breaking news.
In post-soviet Georgia, on the outskirts of Tbilisi, on the corner of Kerch Street, is an orphanage. Its teachers offer pupils lessons in violence, abuse and neglect. Lela is old enough to leave but has nowhere else to go. She stays and plans for the children's escape, for the future she hopes to give to Irakli, a young boy in the home. When an American couple visits, offering the prospect of a new life, Lela decides she must do everything she can to give Irakli this chance.
Long-listed for the 2021 International Booker Prize.
"A sharp-sighted portrait of a society that loses its humanity on its way to a new era." —NDR
Marshall's own selection from the many collections of short stories that have established him as a master of the portrayal of the complexities of small lives, the workings of small minds, and the insularity of small towns (no matter how large).
"I very much envy Marshall's ability to lay things down in such a way that each one has its natural weight and place, without any straining and heaving." —Maurice Gee
The story of the Cretan village of Plaka and the tiny, deserted island of Spinalonga – Greece's former leper colony – is told to us by Maria Petrakis, one of the children in the original, adult, version of The Island. She tells us of the ancient and misunderstood disease of leprosy, exploring the themes of stigma, shame and the treatment of those who are different, such as refugees.
Chalk: The art and erasure of Cy Twombly by Joshua Rivkin $37
Black Marxism: The making of the black radical tradition by Cedric J. Robinson $38
Te Huihui o Matariki and The Seven Stars of Matariki by Toni Rolleston-Cummins and Nikki Slade-Robinson $18 / $18
Cy Twombly was a man obsessed with myth and history—including his own. Shuttling between stunning homes in Italy and the United States where he perfected his room-size canvases, he managed his public image carefully and rarely gave interviews. Upon first seeing Twombly's remarkable paintings, writer Joshua Rivkin became obsessed himself with the mysterious artist, and began chasing every lead, big or small—anything that might illuminate those works, or who Twombly really was. Now, after unprecedented archival research and years of interviews, Rivkin has reconstructed Twombly's life, from his time at the Black Mountain College to his canonization in a 1994 MoMA retrospective; from his heady explorations of Rome in the 1950s with Robert Rauschenberg to the ongoing efforts to shape his legacy after his death.
Any struggle must be fought on a people's own terms, argues Cedric Robinson's landmark account of Black radicalism. Marxism is a western construction, and therefore inadequate to describe the significance of Black communities as agents of change against 'racial capitalism'. Tracing the emergence of European radicalism, the history of Black African resistance and the influence of these on such key thinkers as W.E.B. Du Bois, C.L.R. James and Richard Wright, Black Marxism reclaims the story of a movement.
The myth of how Matariki/the Pleiades star cluster came into being. Te reo Māori and English editions.
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