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Notes from an Island by Tove Jansson and Tuulikki Pietilä  {Reviewed by STELLA} Every summer Tove Jansson and Tuulikki Pietilä escaped to Klovharun, their island. In Notes From an Island, Jansson gathers memories, notes, snippets of writing about the place and their antics on this barren remote skerry, and Pietilä’s atmospheric illustrations contrast with the seaman Brunström’s no-nonsense diary entries. This is a lovely book, from its attractive cover which features a delightfully drawn map by Jansson’s mother, to the paper stock and layout. It’s enticing in all its tactile qualities as well as its content. Jansson had been heading to the Finnish archipelago most of her life with her family. They would year-on-year visit a small island with charming beaches and a small wood, but each year the number of guests increased as they invited more friends and family to share in this summer pleasure. In her late 40s, Tove craved an island of her own. Somewhere she and Tuulikki could be alone to focus on their creative work, away from interruption and the pressures of life back on the mainland. Klovharun was rocky and inhospitable — just right for being away from it all, and for the two women an invigorating environment with the sea in all directions. Arriving on Klovharun they pitched a tent and, shortly after, met Brunström — a taciturn seaman — who would help them build the cabin. The initial step — finding a suitable flat space. A flat space that needed to be carved out by dynamiting a massive boulder. A dynamic action for a dynamic landscape. Yet Tove and Tuulikki liked their yellow tent so much that they continued to sleep in it and reserved the cabin for work and for guests. How do you claim an island in the Finnish Gulf? You place a notice on the door of a shop at the nearest local settlement stating your intention to lease the land and hope that most people will place a tick in the Yes column rather than the No. And hence a quarter-century relationship with the island began. In Jansson’s writing you get a sense of refuge, but not idle respite. Living on the island between April and October required stamina and industry — fishing, maintenance of the cabin and boat, keeping the various machines ticking over, collecting driftwood from the sea as well as the surrounding islands and rolling rocks. These were productive times — the women would work on their respective art and writing projects, and sometimes collaborate on a project. Pietilä recorded their experiences in this natural wilderness on Super8 film which was later made into a documentary. This book provides a thoughtful exploration of their island life and their relationship with nature. Tove Jansson’s writing is both philosophical and straightforward (it is never lyrical or florid). giving the land, the sea and the weather their primacy. Pietilä's 24 illustrations — some etchings, others watercolour washes — are muted in their ochre monotones, but hold the power of the sky and water in them as though at any moment these elements might cast away the moment and shrug off these human interventions.