Petite Fleur by Iosi Havilio {Reviewed by STELLA} When José’s job goes up in flames, literally, at the fireworks factory, he is at a loss. In a funk, he suddenly finds himself without purpose or motivation. His wife Laura suggests that she goes back to work at the publishing company and leave him to care for their young daughter and home. At first, José feels undermined by his new status, but he quickly falls into the swing of his new role as a domestic star - setting himself cleaning goals and garden projects. As he flourishes, Laura, forced into a more minor role at the publishing company, becomes increasingly embittered and trapped in her job, and this is only further aggravated by Antonia’s increasing rejection of her mother as their daughter gravitates towards José as the primary caregiver. One of the garden projects requires a spade, something that the couple do not possess. One evening, invigorated by his new passions, José knocks on Guillermo’s (the neighbour's) door to borrow a spade. Invited in, a friendship strikes up between the two, and they start to spend Thursday evenings together, drinking and listening to jazz. Guillermo is a jazz obsessive and, as the evening goes on and the drinks go down, he becomes excitable and increasingly animated until José draws the night to a close, often abruptly, with his new found ‘talent’ - a talent so utterly surprising to the reader the first time it happens you will wonder what you have stepped into. Iosi Havilio’s Petite Fleur (named for a jazz piece which is Guillermo’s favourite - he has 125 different recordings) is a lively, macabre and sharply witty portrayal of domestic suburbia, both its bliss and its terrible suffocation. José is a study in paranoia, perfection and obsession - along with odd lapses into clumsiness and childish impulses. As a reader, you will wonder how reliable our narrator is. His clichéd love of Russian literature (Tolstoy), his unwise erotic fantasies and his seeming unconcern for others make José an intriguing character - one whom you want to follow, even when he is repellent. His talent, violent and guiltless, will leave you reeling beyond the last sentence. |
Saturday, 14 July 2018
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