Friday, 9 August 2019


NEW RELEASES
Wild Honey: Reading New Zealand women's poetry by Paula Green     $45
Green explores New Zealand poetry as if it were a house, moving from room to room and through time, releasing historical female poets from definition or exclusion by traditional male gatekeepers, bringing literary pioneers such as Jessie Mackay, Blanche Baughan Lola Ridge and Eileen Duggan out of the shadows to stand with contemporary literary provocateurs such as Hera Lindsay Bird and Tayi Tibble. Includes biographies of 195 poets. Illustrated by Sarah Laing. 
>>Have a look inside. 
La belle dame avec les mains vertes by Evangeline Riddiford Graham       $15
The future’s a disaster. Everyone knows it’s time to get proofing. But you, you’re out of energy to bolt down the bookshelf. You can’t afford a carbon-neutral kitchen. Balance the math & trash the books: you won’t ever have a house. You little worm. Do you really think you deserve your own bedroom? Fear not! If you can’t afford to be part of the problem, you can still buy into the compromise. La Belle Dame avec les mains vertes offers a solution for your every civic grievance. Set down in writing, made in New Zealand, one last blast of arts & crafts. La Belle Dame sees your plaint, & raises it. Would you like to register a charge, or a lamentation?
A green and grumpy, very funny ode to life in contemporary Tāmaki-makau-rau, in the form of a double sestina.
>>Read Thomas's review of Evangeline Riddiford Graham's Ginesthoi. Evangeline read at VOLUME in 2017.
Lunch at 10 Pomegranate Street by Felicita Sala       $35
A beautiful picture book, with recipes from all the various people that live in the apartment building.
>>Visit Sala's website!


How to Live by Helen Rickerby         $25
Where are the female philosophers? Why are women silenced? Who can tell us how to live? In her fourth collection of poetry, Helen Rickerby takes readers on a journey into women’s writing, a quest for philosophical answers, and an investigation of poetic form. The poems in How to Live engage in a conversation with ‘the unsilent women’ — Hipparchia and George Eliot, Ban Zhao and Mary Shelley. They do so in order to explore philosophical and practical questions: how one could or should live a good life, how to be happy, how to not die, how to live. Rickerby thinks through the ways that poetry can build up and deconstruct a life, how the subtext and layers inherent in poetry can add to the telling of a life story, and how different perspectives can be incorporated into one work  the place where poetry meets essay, where fiction meets non-fiction, where biography meets autobiography, where plain-speaking meets lyricism, where form pushes against digression.
BACK Before You Know by Murray Edmond       $20
"The paired allegorical poetry tales in BACK Before You Know take on history and the perky fatalised body—as ‘The Fancier Pigeon’ sprightly-deathly observes, “The world is fixed / in ice and fire” and symmetry and entropy “go together / like two girls in a bar.” Edmond writes with a wry deliciousness in a pace from which one can’t turn away – we stop in the heart and we can’t stop anything in these forward cantering loops through fabled destiny." —Lisa Samuels
"Murray Edmond joins the rich tradition of late modernist folk poetry, which also includes Ed Dorn’s Gunslinger and Tom Pickard’s The Ballad of Jamie Allan. Wistful and riotous by turns, these two startling fables radiate with human warmth. They ring beautifully true." —Steven Toussaint 
Insurgent Empire: Anticolonial resistance and British dissent by Priyamvada Gopal     $55
Insurgent Empire shows how Britain’s enslaved and colonial subjects were active agents in their own liberation. What is more, they shaped British ideas of freedom and emancipation back in the United Kingdom. Priyamvada Gopal examines a century of dissent on the question of empire and shows how British critics of empire were influenced by rebellions and resistance in the colonies, from the West Indies and East Africa to Egypt and India. In addition, a pivotal role in fomenting resistance was played by anticolonial campaigners based in London, right at the heart of empire. Much has been written on how colonised peoples took up British and European ideas and turned them against empire when making claims to freedom and self-determination. Insurgent Empire sets the record straight in demonstrating that these people were much more than victims of imperialism or, subsequently, the passive beneficiaries of an enlightened British conscience—they were insurgents whose legacies shaped and benefited the nation that once oppressed them.
>>The author changes the mind-set. 
AUP New Poets 5: Carolyn DeCarlo, Sophie van Waardenberg, Rebecca Hawkes       $30
A sampler of interesting emerging poets.
The Stories of Eileen Duggan, edited by Helen J. O'Neill        $35
Duggan wrote two collections of short stories but never presented them for publication. These appear here for the first time, with a substantial introduction by John Weir. 
>> Duggan's Selected Poems has/have just been reprinted.        
The Big Little Thing by Béatrice Alemagna       $30
It unexpectedly arrived. It brushed past someone in the street. It weaves its way in and out of people on the street. It catches people completely unaware. But what is this It? A beautiful, quirky large-format book.
[Answer: happiness!]
Talking Heads: Fear of Music by Jonathan Lethem       $22
Fear of Music, the third album by Talking Heads, was recorded and released in 1979. Edgy, paranoid, funky, addictive, rhythmic, repetitive, spooky, and fun — with Brian Eno's production, it's a record that bursts out of the downtown scene that birthed the band, and hints at the directions (positive and negative) they'd take in the near future. Here, Jonathan Lethem takes us back to the late 1970s in New York City and situates Talking Heads as one of the most remarkable and enigmatic American bands. 
>>'Heaven'.
Maresi: Red Mantle ('The Red Abbey Chronicles' #3) by Maria Turtschaninoff      $19
For Maresi, like so many other girls, the Red Abbey was a haven of safety in a world ruled by brutal men. But now she is a young woman and it is time for her to leave. She must take all that she has learned from her sisters and return to her childhood home to share the knowledge she has gained. But when Maresi returns to her village, she realises all is not well - the people are struggling under the rule of the oppressive Earl, and people are too busy trying to survive to see the value of her teachings. Maresi finds she must use all the terrible force of the Crone's magic to protect her people, but can she find the strength to do so when her heart is weakening with love for the first time?
>>This is an excellent YA series.
On the End of the World by Joseph Roth        $23
Having fled to Paris in January 1933, on the day Hitler seized power in Germany, Joseph Roth wrote a series of articles in that 'hour before the end of the world', that he foresaw was coming and which would see the full horror of Nazism, the Second World War, and, most crucially for Roth, the final irreversible destruction of a pan-European consciousness.
Scary Stories for Young Foxes by Christian McKay Heidicker, illustrated by Junyi Wu           $33
When fox kits Mia and Uly are separated from their litters, they quickly learn that the world is a dangerous place filled with monsters. As the young foxes travel across field and forest in search of a home, they'll face a zombie who hungers for their tender flesh, a witch who wants to wear their skins, a ghost who haunts and hunts them, and so much more. 


Crisis and Duplication by David Merritt      $15
Welcome to the coalface of poetry: a unique combination of poems & polemics by David Merritt, the "people's laureate" (often seen hawking his words on the streets of Nelson and elsewhere), fused together for the first time. Concerning influence both literary & otherwise, the history of the desktop publishing revolution, best practices for making rich compost out of brute materialist society. Two lyrical essays paint a world where there's no good reason to see DIY printing & gardening as significantly separate skill sets.



The Way Through the Woods: Of mushrooms and mourning by Long Litt Woon      $40
A grieving widow discovers a most unexpected form of healing - hunting for mushrooms. Long Litt Woon met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf's unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner's course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. 
Pen in Hand: Reading, re-reading, and other mysteries by Tim Parks       $33
How can other people like the books we don't like? What benefit can we get from rereading a work? Can we read better? If so, how? These and many other questions, ranging from the field of writing to that of reading and translation, are addressed by the always incisive Tim Parks.


Selected Poems by Denis Glover, edited by Bill Manhire       $30
Printer, typographer, publisher, boxer, sailor, drinker, scholar, satirist, wit — and poet. New edition.
>>Quardleoodleardlewardledoodle.
>>Quardleoodleardlewardledoodle. 
>>Quardleoodleardlewardledoodle. 
>>Quardleoodleardlewardledoodle. 
>>Quardleoodleardlewardledoodle. 



Dinosaur Hunter: Joan Wiffen's awesome fossil discoveries by David Hill and Phoebe Morris          $25
Wiffen's discovery of therapod bones in Hawke's Bay in 1975 proved that dinosaurs featured in New Zealand prehistory — overturning what was thought at that time. 
Yemen in Crisis: The road to war by Helen Lackner          $37
Excellent analysis of the blights of the autocracy, neoliberalism and international interference that led to economic collapse, famine and civil war. 
Fully Automated Luxury Communism by Aaron Bastani          $33
The first decade of the twenty-first century marked the demise of the current world order. Despite widespread acknowledgement of these disruptive crises, the proposed response from the mainstream remains the same. Against the confines of this increasingly limited politics, a new paradigm has emerged. Bastani claims that new technologies will liberate us from work, providing the opportunity to build a society beyond both capitalism and scarcity. Automation, rather than undermining an economy built on full employment, is instead the path to a world of liberty, luxury and happiness. Bastani conjures a new politics: a vision of a world of unimaginable hope, highlighting how we move to energy abundance, feed a world of nine billion, overcome work, transcend the limits of biology and build meaningful freedom for everyone. Gosh.
Stone Men: The Palestinians who built Israel by Andrew Ross       $37
"They demolish our houses while we build theirs." This is how a Palestinian stonemason, in line at a checkpoint outside a Jerusalem suburb, described his life to Andrew Ross. Palestinian 'stone men', using some of the best-quality limestone deposits in the world and drawing on generations of artisanal knowledge, have built almost every state in the Middle East except one of their own. Today the business of quarrying, cutting, fabricating, and dressing is the Occupied Territories' largest private employer and generator of revenue, and supplies the construction industry in Israel, along with other countries in the region and overseas. 
The Sun on My Head by Geovani Martins          $25
Thirteen stories set in Rio's largest favela, gravitating around the lives of boys and men who struggle with the violence involved in growing up on the less favoured side of the 'Broken City'.
Escape from Earth: A secret history of the space rocket by Fraser MacDonald     $45
Everyone knows that rockets are just toys, the stuff of cranks and pulp magazines. Nevertheless, in the 1930s, an engineering student named Frank Malina set out to prove the doubters wrong. With the help of his friend Jack Parsons, a grandiose and occult-obsessed explosives enthusiast, Malina embarked on a journey that took him from junk yards and desert lots to the heights of the military-industrial complex. Malina designed the first American rocket to reach space and established the Jet Propulsion Laboratory. But trouble soon found him: the FBI suspected Malina of being a communist. 
The Neon Bible by John Kennedy Toole           $23
John Kennedy Toole, who won a posthumous Pulitzer Prize for his bestselling comic masterpiece A Confederacy of Dunces, wrote The Neon Bible for a literary contest at the age of sixteen. The manuscript languished in a drawer and became the subject of a legal battle among Toole's heirs. Thirty-five years after it was written and twenty years after Toole's suicide at thirty-one, the novel was freed for publication.


Nailing Down the Saint by Craig Cliff       $38
Duncan Blake is a New Zealand filmmaker whose move to LA has not gone to plan. After a series of setbacks, he's working at a chain restaurant, his marriage is on shaky ground after a porn-related faux pas and his son won't stop watching Aladdin. When Duncan gets the chance to scout locations for a fated director's biopic of Saint Joseph of Copertino, it's the lifeline he's been searching for. But in Italy, in the footsteps of the seventeenth-century levitator, he must confront miracles, madness and the realities of modern movie making. 
>>"It's bad for your health" (recommended viewing!)



Wednesday, 7 August 2019



The winners in the 2019 NEW ZEALAND BOOK AWARDS FOR CHILDREN AND YOUNG ADULTS have just been announced.

Click through to reserve your copies.




MARGARET MAHY BOOK OF THE YEAR + PICTURE BOOK OF THE YEAR
The Bomb by Sacha Cotter and Josh Morgan (Huia Publishing)    $23
Set firmly in Aotearoa, this summery, exuberant tale will resonate with any child who has ever tried to do something that scares them. The detailed, artful illustrations are as joyous and assured as the story they capture. The unwavering love and encouragement of the child’s Nan illuminates a strong and convincing message about being yourself and having the courage to do things in your own way.




WRIGHT FAMILY FOUNDATION ESTHER GLEN AWARD FOR JUNIOR FICTION
The Dog Runner by Bren McDibble (Allen & Unwin)      $19
Be transported to a convincingly rendered dystopian future in which all grasses have been destroyed. The only real chance of survival for Ella and her half-brother Ellery is to leave the city and travel with their magnificent doggos by dogcart, across the wilderness to Ellery’s family farm — and hope. Danger is everywhere, food and water scarce. Resilience and resourcefulness are essential in this enthralling, fast-paced ecological drama.




YOUNG ADULT FICTION AWARD
Legacy by Whiti Hereaka (Huia Publishing)      $25
Riki wakes after an accident to find he’s gone back a century. He is mistaken for his great-grandfather, who happens to be a soldier in the middle of Egypt during WW1 — a long way from present-day Wellington and his girlfriend. The convincing characterisation and scene setting help readers understand the moral complexities and challenges of life as a Māori soldier during the WW1 campaigns.





ELSIE LOCKE AWARD FOR NON-FICTION  + BEST FIRST BOOK AWARD
Art-tastic by Sarah Pepperle (Christchurch Art Gallery Te Puna o Waiwhetū)    $30
The meanings and methods behind iconic works in the Christchurch Art Gallery collection are uncovered, using dazzling design features that are instantly engaging. This book shows how art can touch us at every level, from cultural to emotional, and it’s all done with a madly ‘art-rageous’ sense of humour. A highly interactive book which connects young people with art and encourages readers to try out the art techniques.



RUSSELL CLARKE AWARD FOR ILLUSTRATION
Puffin the Architect by Kimberly Andrews (Penguin Random House)     $20
An architect takes on the toughest clients yet in this clever story, full of warmth and gentle surprise. Luminous and detailed illustrations reveal cross-sections of each animal’s house, and encourage exploration. The rhythm and rhyme are impeccable, with a refrain listing the essential requirements for the perfect home — readers are left in no doubt that friends and family are the most important ingredients.



WRIGHT FAMILY FOUNDATION TE KURA POUNAMU AWARD FOR TE REO MAORI
Te Haka a Tānerore by Reina Kahukiwa, illustrated by Robyn Kahukiwa, translated by Kiwa Hammond (Mauri Tū)    $30
Legend says Tamanuiterā (sun) and Hine Raumati (summer maiden) had a son named Tānerore. On scorching hot days, the mother and son haka to the sun from the parched earth. As they do this, their hands shake vigorously, reflecting the heatwaves that shimmer between Papatūānuku and Ranginui. ‘Ko te reo te mauri o te mana Māori’ shines through in this ancient pūrākau and is creatively intensified by stunning original artwork.



Saturday, 3 August 2019




BOOKS @ VOLUME #138 (3.8.19)

Our newsletter contains our reviews and recommendations, information about our events and courses, news and competitions. 





Book of the Week: Malina by Ingeborg Bachmann 
In the wholly remarkable Malina, originally published in German in 1971, Bachmann draws the reader into a world stretched to the very limits of language. An unnamed narrator, a writer in Vienna, is torn between two men, who may or may not exist outside her head. 
>>"Malina continues to reveal new possibilities in literature and new impossibilities in living." —read Thomas's review. 
>>Read an extract. 
>>Detonating the container of consciousness. 
>>A singular woman adrift. 
>>"We could call her happiness self-deception."
>>"I don't understand how one can live."
>>Reading Ingeborg Bachmann. 
>>Is Malina "the truest portrait of female consciousness since Sappho"?
>>"The outrageous has become the everyday."
>>Malina was made into a film by Werner Schroeter in 1991. 
>>As a piece of physical theatre. 
>>A brief biography of Bachmann. 
>>Books by Bachmann.
>> Fun fact: Bachmann appears as Maria in Thomas Bernhard's last novel, Extinction. 






























 
 
All My Goodbyes by Mariana Dimópulos    {Reviewed by STELLA}
“It’s the same thing time and time again, shamelessly, tirelessly. It doesn’t matter whether it’s morning or afternoon, winter or summer. Whether the house feels like home, whether somebody comes to the door to let me in. I arrive, and I want to stay, and then I leave.” All My Goodbyes is a novel for the restlessness in us all. Mariana Dimopulos’s protagonist is a young woman on the move. Leaving Argentina at 23 in an attempt to thwart her father’s ambitions and to escape the confines of what she sees as her predictable life, she heads to Madrid with the idea of being an ‘artist’, smoking hashish and hanging out, discussing ‘ideas’ with other travellers. After only a month, she is bored and on the move again, reinventing herself — being Lola or Luisa — whichever identity fits, being a tourist or a traveller, making new backstories, but never quite the truth. She is ambiguous to those she meets and, at times, to the reader also. We follow, or aptly, interact with her life over a decade as she swings between several European places — Madrid, Malaga, Berlin and Heidelberg to mention a few — and South America, washing up in rural Patagonia. The narrative is fractured as she relays her memories, skidding across one experience to the next and back again in a looping circuit, tossing us backwards and forwards in time. We are taken into conversations and thrown out again; we interact with those she has formed relationships with and ultimately said goodbye to. We see her as a traveller, tourist, voyeur, baker, shelf stacker, factory worker, farmhand. Upon this fractured narrative, a web is woven as we piece together the relationships that make her and break her — and always there is an impending sense of something or someone that will change her, a sense of threat with the axe taking centre stage. Dimopulos’s writing is subtle and agile. We do not mind being tossed on our protagonist's sea. In fact, we are curious. We love her late-night conversations with Julia in her kitchen, leaning up against the bench with the sleepy Kolya bunched up in his mother’s arms; we wonder when she will give in to the gentle charms of the scholar Alexander; and question why she is fascinated by the uber entrepreneur Stefan. We know, before it happens, that she will abandon them all, that her desire to leave is greater than her desire to stay. She travels full circle: we encounter her back in her homeland — still restless, still moving — living in the southernmost part of Patagonia. Working for Marco and his mother she finally finds a place to stop. Yet deceit and disaster settle here and take her onward and away, against her will and desire. Is she the architect of her own disaster, creating impossible situations? Her abandonment of people in her life is at times mutually beneficial, at other times cruel. Why does she not speak up, or face up to herself, when she could make a difference? Her riposte is always to leave — to turn her back. While the themes in this novel are restlessness, abandonment and departure, the writing, in contrast, is assured, subtly ironic, agile and so compelling that you will want to reread this — you will want to keep arriving.


























































 

Selfies by Sylvie Weil   {Reviewed by THOMAS}
The hands holding the book in the painting by Markus Schinwald, and the black curtains between which they protrude, are painted in such a way as to make the viewer suspect that they are looking at a painting, or a part of a painting, by some Old Master, and the viewer, upon researching further, feels a little cheated to find that the artist is still alive. Had we perhaps confused even the name Markus Schinwald with that of some minor Germanic Old Master — perhaps a painter of agonising crucifixions, memento mori and surgically accurate Sts. Sebastians — which would have given this painting, in which the person holding the book into the light is effectively bodiless, concealed behind curtains, a disconcertingly suppressed reference to physical suffering? Maybe we should not feel cheated. Maybe it is the reference to the reference, by way of our confusion, that gives the painting, for us, its meaning.

In the picture I didn't end up taking of myself I am sitting in an elderly armchair, the pile of its plush worn to the ghost of its original pattern on the arms and upper back. Beside me is a rather spindly green table upon which sits a vase of stocks, wilted at their tops, and a small empty coffee cup, a lip-mark of coffee at its rim. The sideboard behind me is stacked with books, and the fading light falls from my right onto the book I hold at an odd angle as if trying to postpone the moment in which I will have to get up and switch on a light. I am wearing a heavy mustard jersey, no longer worth darning, under which another jersey can be seen, and my head is thrust awkwardly forward over the oddly angled book, which I seem to be on the verge of finishing. Its title can be read despite the shadow: Selfies by Sylvie Weil. 
*
The thirteen exquisite pieces of memoir that comprise Selfies each begin with a description of an actual artwork, a self-portrait by a woman ranging from the thirteen century to today. This ekphrasis is followed by a description of a (possibly hypothetical) self-portrait by Weil which echoes or resonates with the historical work and provides a means of access to the third section of each piece, a more (but variously) lengthy examination of one of the more significant or uncomfortable aspects of Weil’s life. This tripartite structure demonstrates how viewing art can unlock new levels of understanding of our own lives, and how the communication of a stranger’s moment by means of a surface invariably stimulates the viewer’s memory to read that moment in terms of moments from the viewer’s own life, moments pressing at the surface of consciousness from the other side, so to speak. Viewing is remembering. The rigour and delicacy Weil demonstrates in viewing the artists’ works allows her to apply a similar set of criteria to her own memory-images, resulting in a remarkably nuanced set of realisations to be accessed and conveyed, potentially provoking a similar deepening of access in a reader to her or his own memories. Weil’s prose, pellucidly translated from the French by Ros Schwartz, gauges subtle shifts of tone, frequently shifting our understanding of situations or persons before any knowledge about them is attained. The awful American mathematician with whom Weil had a love affair, her son’s mother-in-law, the close friend of her mother’s, the unsympathetic owners of a “Jewish” dog, are all revealed as having complex and often ambiguous relationships with the surfaces they present. Weil’s sentences, at once so straight-forward and so subtle, can move both outwards and inwards at once, operating at various depths simultaneously, as when Weil describes responses to her adult son’s mental breakdown: “I reply politely to friends who say: ‘I wouldn’t be able to cope if something like that happened to my son.’ I didn’t tell them that it could happen to anyone. And that they would cope, as people do. They’d have no choice. I don’t reply that they deserve to have it happen to them. Deep down, I agree that it is unlikely to happen to them. Not to them.” Precision often leads us to the verge of humour, as when Weil describes “the remains of a smile abruptly cut short, as if by the sudden and unexpected arrival of a dangerous animal.” The ‘Self-portrait as an author,’ springing from a description of a 1632 self-portrait of Judith Leyster seen as an advertisement for her portrait commissions (a commercial imperative), is a devastatingly perfect Cuskian account of the people who visited Weil’s signing table at a literary festival. The book is full of images, or moments, details, that implant themselves in the mind of the reader and continue to resonate there in a way similar to the reader’s own memories. What is the purpose of self-depiction? “Everyone takes selfies,” Weil observes. “It’s a way of going unnoticed,” but at the same time each selfie is a form of searching, an attempt to locate oneself, somehow, in the circumstances that comprise one’s life. Memory is the only way we have to attempt to make sense of these moments. 

Friday, 2 August 2019


NEW RELEASES 

Selfies by Sylvie Weill        $38
"A beguiling series of vignettes, by turns wry, amusing and disturbing, inspired by self-portraits by women artists and reflecting on the images they provoke. An illuminating survey of the author's various identities, in a fractured world, as mother, lover and writer." —Michèle Roberts
"A new genre is born: the short selfie collection! Lively, inventive, compassionate, aching, morally complex and troubling, I loved these self-portraits more than anything I’ve read lately." — Lauren Elkin
The Wind That Lays Waste by Selva Almada        $32
“What knocks me out about The Wind That Lays Waste—a novel that starts in the great pause before a storm—is how it delivers exactly that compressed pressurised electricity of a gathering thunderstorm: it sparks and sputters with live-wire tension. The story centres around a reverend who is evangelising across the Argentinian countryside with his teenage daughter, when their car breaks down. This act of God, or fate, leads them to an ageing, atheist mechanic and his young helper. As a long, strangely intimate day passes, curious tensions ebb and flow, until finally the storm breaks over the plains. Perfectly translated by Chris Andrews, this is a book for readers who like that metallic taste and the feeling of the hairs on the back of their necks rising.”—Barbara Epler
Sweet Home by Wendy Erskine         $35
Ten stories set in Belfast, laying bare the heartbreak and quiet tragedies that run under the surface of everyday lives. A reclusive cult-rock icon ends his days in the street where he was born; a lonely woman is fascinated by her niqab-wearing neighbours; a husband and wife become enmeshed in the lives of the young couple they pay to do their cleaning and gardening.
"With skill and style, Erskine unpicks the underlying complexity of ordinary lives, the unexpected intricacy of ordinary situations. These are stories about ramification as opposed to redemption; dark, bittersweet and perfectly formed." —Sara Baume
>>Erskine reads from the book. 
Eileen Gray: A house under the sun by Zosia Dzierżawska and Charlotte Malterre-Barthes      $33
An exquisite graphic novel about the architect and designer's life and work in the 1920s on her exemplary Modernist Villa E-1027.
>>Visit Villa E-1027


Story of a Secret State: My report to the world by Jan Karski         $26
It is 1939. Jan Karski, a Polish student, enjoys a life of parties and pleasure. Then war breaks out and his familiar world is destroyed. Now he must live under a new identity, in the resistance. And, in a secret mission that could change the course of the war, he must risk his own life to try and save those of millions.
"Astonishing, thrilling, morally grave, electrifying." —Independent
This Really Isn't About You by Jean Hannah Edelstein     $25
In 2014 I moved back to the United States after living abroad for fourteen years, my whole adult life, because my father was dying from cancer. Six weeks after I arrived in New York City, my father died. Six months after that I learned that I had inherited the gene that would cause me cancer too. When Jean Hannah Edelstein's world overturned she was forced to confront some of the big questions in life: How do we cope with grief? How does living change when we realise we're not invincible? Does knowing our likely fate make it harder or easier to face the future? 
"A most magnificent, beautifully written memoir." —NIna Stibbe
Pale Horse, Pale Rider: The short stories by Katherine Anne Porter          $26
A collection that gathers together Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiance on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas.
"Katherine Anne Porter's short stories are unsurpassed in modern fiction." —Robert Penn 
"Porter writes English of a purity and precision almost unique in contemporary fiction." —Edmund Wilson
Orange World, And other stories by Karen Russell         $37
Surreal short stories set in the swamps of Florida, often with ecological issues underpinning their plots.
"Russell’s writing inhabits its own universe, with metaphor and simile taking us to strange new places; we are led by the hand and find ourselves completely submerged, only later to come to, groggily, in our own world." —Guardian



Nobber by Oisín Fagan          $38
An ambitious noble and his three serving men travel through the Irish countryside in the stifling summer of 1348, using the advantage of the plague which has collapsed society to buy up large swathes of property and land. They come upon Nobber, a tiny town, whose only living habitants seem to be an egotistical bureaucrat, his volatile wife, a naked blacksmith, and a beautiful Gaelic hostage. Meanwhile, a band of marauding Gaels are roaming around, using the confusion of the sickness to pillage and reclaim lands that once belonged to them. As these groups converge upon the town, the inhabitants, who up until this point have been under strict curfew, begin to stir from their dwellings, demanding answers from the intruders. A deadly stand-off emerges from which no one will escape unscathed.
"Nobber is hallucinatory and sly, conjuring a densely strange and savagely captivating world. There are lots of novels, and there are lots of novels that are all much alike, but there is nothing like Nobber." —Colin Barrett
What We Really Do All Day: Insights from the Centre for Time Use Research by Jonathan Gershuny and Oriel Sullivan      $26
Are we spending more time at work than we would have 50 years ago? Are we sleeping less? How has the Internet affected the way we use our spare time? Everything we do takes time, and it feels like our lives are busier than ever before. Yet a detailed look at our daily activities reveals some surprising truths about the social and economic structure of the world we live in. 
>>Research!

A Brief History of Life on Earth by Clémence Dupont        $50
A wonderful illustrated book of evolution, the concertina pages of which fold out to a frieze as long as a triceratops. 
>>Other work by Dupont. 
The Socialist Manifesto: The case for radical politics in an era of extreme inequality by Bhaskar Sunkara       $33
"Accessible, irreverent and entertaining, Bhaskar Sunkara has delivered a razor-sharp guide to socialism's history, transformative promise, and path to power. This book also serves as an irresistible invitation to join in building that power, and in shaping the radically democratic future that is our best hope in these make-or-break times." —Naomi Klein 
"From one of the brightest stars of the American left, essential reading for anyone who wants to build a new society based on people's needs, not profit for the elite." —Owen Jones
Novacene: The coming age of hyperintelligence by James Lovelock        $37
A remarkably hopeful look at the coming of beneficent AI and their partnership with humans as part of an organic planetary consciousness, 'Gaia'. 
The Critic as Artist by Oscar Wilde         $20
 "To the critic the work of art is simply a suggestion for a new work of his own." Arguably the most complete exploration of his aesthetic thinking, and certainly the most entertaining, in this book Wilde seeks to demolish the supposed boundary between art and criticism. Wilde champions idleness and contemplation as prerequisites to artistic cultivation. For Wilde, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without first engaging his or her critical faculties.


Picnic in the Storm by Yulilo Motoya         $25
A housewife takes up bodybuilding and sees radical changes to her physique - which her workaholic husband fails to notice. A boy waits at a bus stop, mocking businessmen struggling to keep their umbrellas open in a typhoon - until an old man shows him that they hold the secret to flying. A woman working in a clothing boutique waits endlessly on a customer who won't come out of the fitting room—and who may or may not be human. A newlywed notices that her husband's features are beginning to slide around his face—to match her own.

Winner of the Kenzaburo Oe Prize and the Akutagawa Prize. 
Night-Gaunts, And other tales of suspense by Joyce Carol Oates        $23
Stories of the uncanny, death, sex, longing, murder, &c, exploring the tense dynamic between lust and revulsion.
My City by Joanne Liu       $32
Max is asked to mail a letter for his mother. As he walks through his neighborhood in search of a mailbox, he encounters all sorts of interesting things like falling leaves dancing in the wind, skyscrapers towering in the distance, and junk being piled into a rubbish truck. All around him adults hurry on their various errands, too busy to appreciate these wondrous details. His walk through the city leads Max to discover that the mailbox is actually right next door to his own house. 
The Need by Helen Phillips          $37
A woman fights to retain her sense of self amidst the chaos of work, motherhood and alternative universes.
Stand by Me by Wendell Berry         $40
Beautifully written evocations of the rural Kentucky of Berry's childhood. 


The Lark Ascending: The music of the British landscape by Richard King         $37
'The Lark Ascending', Ralph Vaughan Williams's 'pastoral romance for orchestra' was premiered in 1921. Over the course of the twentieth century this piece of music, perhaps more than any other, worked its way into the collective consciousness to seemingly define a mythical concept of the English countryside: babbling brooks, skylarks, hayricks. But the birth and legacy of the composition are much more complex than this simplified pastoral vision suggests. The landscape celebrated as unsullied and ripe with mystique is a living, working, and occasionally rancorous environment—not an unaffected idyll. On a chronological journey that takes him from postwar poets and artists to the late twentieth century and the free party scene which emerged from acid house and travelling communities, Richard King explores how Britain's history and identity has been shaped by the mysterious relationship between music and nature.



Saturday, 27 July 2019



BOOKS @ VOLUME #137 (27.7.19)

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